Building Trust
Plays About Trustworthiness & Building Trust
Dramas, comedies farces, fables present characters who need to build trustworthiness. Building trust is a dramatic need faced by the characters to move the story and plot forward.
Showing 1–16 of 18 results
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All the Year
- 10 minutes
- 2F2M
Simple Set
Where has the time gone? The eighth and final installment of Hinton’s Playroom series, “All the Year”, is set in the living room – one decorated for every big day on the calendar.
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And Sarah Laughed: A Full-Length Musical Comedy For Three Female Performers
- 90 Minutes
- 3 F
music lead sheets included, Comedy, Highly Theatrrical, Simple Set, Small Cast
And Sarah Laughed is a 3-woman musical comedy glimpse into the world of women as they navigate to find their own place in a man’s world Part comedy, part in-your-face slapstick, And Sarah Laughed is a matrimonial cabaret.
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Numbers Have Feelings
- 10 minutes
- 1M/4M or F
Fable, Farce, Young Audience, Fantasy, Middle School
What if numbers could feel? Does a number feel diminished when it is subtracted? Originally written for a math-tutoring business open house, this short script is perfect as a classroom or meeting diversion.
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Humans Remain
- 110 Minutes
- 2 Males, 5 Females; 1 African dancer (optional) (small roles are doubled).
Doubling Possible, Drama, Staging Design Potential
A well-meaning “foreigner” attempts to rescue the White Cliff Kinfolk – a mixed-race society isolated from civilization in the hills of New Jersey for over 200 years. Love. Death. History. Magic. Nature. Belief. All of these are played out on the stage. All but one character are mixed race, mainly African-American. One character is specified as African-American. The others are as diverse as desired. Highly theatrical staging possible.
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Group S.O.S.: Survivors Of Sexual Abuse
- 95 Minutes
- 6F
Abuse, Auditions, Classroom Use, Mental Health Issues, Monologue, sexual abuse, Colleges, Depression, High School, Minimal Set, Self-esteem
In GROUP S.O.S. by Bonnie Culver, the S.O.S stands for Survivors Of Sexual abuse. In two separate full-length plays, male or female survivors both confront and comfort one another as they begin their processes of healing. Appropriate for a teen or adult audience, previous productions of these plays have led to audience members seeking help as they begin to recognize themselves among the characters. Run time is about 95 minutes.
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Between Trains
- 70 minutes
- 5 Male, 3 Female, Doubling Possible Cast: 7 - 14
Colleges, Community, Edgy Play, Large Cast
In this strangely magical play with songs, a woman wakes up in a train station someplace between Maybe and Nowhere. Everyone she meets is waiting for something or going somewhere, but she’s just looking for a way out. The play explores how we get stuck and how we get unstuck – and what can happen in those crucial moments when how we respond makes all the difference . . .
Great for site-specific theaters or professional theaters, as well as college and university venues.
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EveryKid
- 45 Minutes
- 1 Male 1 Female Max 6 Min 2
With roots in the morality play, EVERYMAN, this fun participatory play for children by Gillettte Elvgren, depicts the adventures of two contemporary kids, Everygirl and Everyboy as they explore some of the temptations of our American culture. The kids decide they don’t need each other and take off separately into the adult worlds of Moneyland, Beautyland, Factland and Success City. Can be performed for and by children.
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The Moral of the Story
- 30 minutes
- 2 Males/2Females; Total 8
Aesop’s Fable The Tortoise and the Hare meets an African Ibo legend . This one-act comedy play script for kids reveals what inquiring minds have always wanted to know – the inside scoop behind Aesop’s most famous Fable and why tortoises have cracked, lumpy shells.
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