Plays for College Student Actors
Scripts for plays for performance by college students; plays for college theatre and college plays scripts. One act comedy plays for college students; one act play scripts for college. Plays for drama education in college and university. College readers theatre scripts.
Showing 1–16 of 48 results
- 100 minutes
- 2 Males, 1 Female
Who owns the role – playwright or actor?
Adrienne Earle Pender’s N dramatizes the struggle between playwright Eugene O’Neill and actor Charles Sidney Gilpin in 1920, as they mount O’Neill’s first box office hit, The Emperor Jones. From rehearsal to Broadway run and, eventually, to the London tour — they fight over the inclusion of the “N” word in O’Neill’s script. To Eugene O’Neill, a word is just a word. Using the N-word heightens the character and strengthens the impact of the play. For Charles Gilpin, who becomes the first black man to be honored by the Drama League of New York for his portrayal of the lead in The Emperor Jones, those six letters have the power to unravel everything that he has ever worked. At stake for O’Neill? His artistic vision. For Gilpin? His entire career and family.
Downloadable PDF available. Diverse casting.Read More
Refraction of Light
- 100 minutes
- 2 Males, 2 Females, Min/Max 4
On the day World War II ends, another war begins. Joe Taylor, an African-American veteran decides he wants to marry Nettie French, a childhood sweetheart, and buy the house belonging to Rose Beauchamp, a white teacher who has befriended both Nettie, daughter of Rose’s deceased best friend, and Joe and encouraged their friendship and academic aspirations. Rose’s prejudice rears its head and her reluctance to sell her house to Joe sets in motion a chain of events that threatens to destroy all their futures. Harry Rosen, a Jewish immigrant from Nazi Germany, enters their lives and helps them find their way home.Read More
A Touch of Frost
- 20 - 60 minutes
- 2 Males, 1 Female Max/Min 3
In these three short one act plays, Wilford, from New York, finally realizes that his new neighbors–Mila, her son Klig, and husband Kulerie Klee–may not be from this planet but live on a farm next to Wilford’s newly purchased homestead – in Vermont! Their adjoining farms are separated only by a stone wall which is beginning to fall apart. What to do? Knock it down? Build it back? – and by what are they walling in and walling out?
These three gentle one-act comedies raise a question suggested by Robert Frost himself: Before I built a wall I’d ask to know what I was walling in or walling out, a question that hints at issues of knowledge, self-recognition, bias or prejudice—or even, these days, politics.
Small cast of 3; simple set: bare stage with a few rocks; downloadable PDF available; can be performed by high school, college, university students or groups. Excellent for touring to schools.Read More
- 110 Minutes
- 2 Males, 5 Females; 1 African dancer (optional) (small roles are doubled).
A hidden society fearful of the outside. A curious stranger accidentally pulled into their world. A romance that threatens their survival. Humans Remain is a celebration of love, familial responsibility, and honor.
A full-length drama script for a play by Robin Rice, Humans Remain challenges our views on cultural bias, assimilation, values, and assumptions. A well-meaning “foreigner” attempts to rescue the White Cliff Kinfolk – a mixed-race society isolated from civilization in the hills of New Jersey for over 200 years. Love. Death. History. Magic. Nature. Belief. All of these are played out on the stage. All but one character are mixed race, mainly African-American. One character is specified as African-American. The others are as diverse as desired.
Highly theatrical staging possible.
Inside and Out
- 10 minutes
- 1 Male, 1 Female. 1 M or F. Max 3, Min 3
This 10-minute poetic play by Jean Klein dramatizes a mother’s attempt to reach inside the autistic mind of her young son. Characters include Jonah, the boy, his mother, Jonah’s mind. This play is a great change of pace in an evening of short plays and as an introduction to discussion groups and classes in social work and mental health settings.Read More
- 15 minutes
- 2 Males, 2 Females
Cell, a 10-minute play by Bonnie Culver, takes us inside connecting and disconnecting calls among 4 different cell phone users attempting to find answers to the central problems in their lives with sometimes odd results.Read More
Monologues for Men: Voices from the Old Testament
- 10 - 60 minutes
In these voices from the Old Testament, prolific Christian writer Gillette Elvgren brings to live both characters from the Bible, but also voices of contemporary men of faith, struggling or affirming their beliefs. Perfect not only for inclusion in religious services and programs, but also as audition pieces.
For performance rights for individual monologues, please contact HaveScripts/Blue Moon Plays for information at firstname.lastname@example.org.Read More
Group S.O.S.: Survivors Of Sexual Abuse
- 50 - 60 minutes
In GROUP S.O.S. by Bonnie Culver, the S.O.S stands for Survivors Of Sexual abuse. In two separate 1-hour plays, male or female survivors both confront and comfort one another as they begin their processes of healing. Appropriate for a teen or adult audience, previous productions of these plays have led to audience members seeking help as they begin to recognize themselves among the characters.Read More
Group S.O.S. Female Version
- 50 Minutes
- 6 Females
This is the female version of GROUP S.O.S. by Bonnie Culver, the S.O.S stands for Survivors Of Sexual abuse. In this 1-hour play, female survivors both confront and comfort one another in a therapy as they begin their processes of healing. Appropriate for a teen or adult audience, previous productions of these plays have led to audience members seeking help as they begin to recognize themselves among the characters.Read More
- 70 minutes
- 5 Male, 3 Female, Doubling Possible Cast: 7 - 14
In this strangely magical play with songs, a woman wakes up in a train station someplace between Maybe and Nowhere. Everyone she meets is waiting for something or going somewhere, but she’s just looking for a way out. Inspired by Buddhist teachings on the nature of Mind, the play explores how we get stuck and how we get unstuck – and what can happen in those crucial moments when how we respond makes all the difference . . .
Great for site-specific theaters or professional theaters, as well as college and university venues.Read More
- 90 Minutes
- 8 Males; 2 Females; Doubling Possible
Banned in Boston! Before a successful run off-off-Broadway, scheduled productions of Sniper were canceled by high schools after the Oklahoma City and Columbine shooting, fearful that this play would incite violence. Set in 1974, Sniper invites us into the fictional world of real-life sniper Anthony Barbaro, who on December 30, 1974, took a gun up to the third floor of his high school and became one of the nation’s first headlined teenage rampage killers.
Great for high school, college, and community theater and discussion groups.Read More
- 20 Minutes
- 1 Male 1 Female Max/Min 2
An “outdoorsy” couple on their honeymoon discover what it means to be caught, or bound together in love. This award-winning one-act comedy by B. A. Hite was a First Place winner, Actor’s Theatre; produced by Theatre Wagon of Virginia and Tidewater Community College. Simple set. Easy to stage.
Great fit for community theaters and high school competitions. Downloadable, printable PDF available.
Frankenstein… or The Modern Prometheus
- 120 Minutes
- 7 Males 3 Females Max 13 Min 10 (Doubling Possible)
Earlier versions of this full-length adaptation by Kathleen McBlair have been performed in school and community theaters since 1980. Audiences love it and scream heartily every time the Creature arrives in the window. True to the Mary Shelley original, except for a comic servant role, the play depicts The Creature with as much horror and sympathy as the original. Ideal for Halloween!