College
Showing 33–48 of 63 results
- $11.00 – $75.00
She’ll Find Her Way Home
- 100 minutes
- 2 Males, 3 Females, Min/Max 5
Community, High School, Reader's Theater
A full-length, African-American, post-Civil War drama by Valetta Anderson. The only child of a deceased well-heeled Mississippi slaveholder. Martha Robb views her coming of age full of the adolescent longings and unending horizons promised by the victorious Union Army. and her quadroon complexion. She and her companion, Thomas, could forge different lives, lives absent of the old barriers … if they could only get past her mother.
Read More - $7.00 – $50.00
Snapshots
- 45 Minutes
- 2 Male, 1 Female, Min/Max 2
Snapshots is a three-actor touching comedy that captures the high and low points of a 30-year marriage. Maggie ages from 27 to 60’s and Sy, her husband, ages 32 to 60’s. The Man represents various pivotal figures in their lives. Great for competitions, high schools, community theaters. Simple set: 3 cubes and a coat rack.
Read More - $14.95
Robert Arthur’s Eastern Shore
Musical Drama, Poetic Drama, Colleges, Community, High School, Large Cast, Middle School, Professional
ROBERT ARTHUR’S EASTERN SHORE by Robert P. Arthur, twice nominated for Virginia’s Poet Laureate: The book includes 4 one-act plays, a selection of his award-winning poems, and “Hymn to the Chesapeake,” a play with music. The culture of the Eastern Shore watermen and waterwomen has long been threatened by the erosion of winds off the Chesapeake Bay and a dwindling supply of crabs and “ersters” to be harvested. These poems and plays celebrate that life and allow us, to share the triumph and the pain of finding one’s livelihood and reason for being in an environment that is both beautiful and unforgiving.
Read More - $11.00 – $60.00
Charming Princes and Wicked Queens
Collection
Cinderella, The Sleeping Beauty, and Snow White Script Collection
Adaptations, by Mickey Coburn, of three popular fairytales, have been produced, to great acclaim, in children’s theaters, as well as classrooms. These adaptations have unique characters among their more familiar companions to give more casting options and more roles. First produced, then toured, by the Boston Children’s Theatre, directed by Mickey Coburn.
Read More - $9.95 – $75.00
Behind Closed Doors
- 15 - 90 Minutes
- 1+ Male 1+ Female Max 16 Min 2
Collection, Simple Props, Simple Set
These historical monologues and dialogues are gripping fictional insights into the psyches of historical married couples. Sir Walter Ralegh and Bess Throckmorton; Marie Antoinette and Louis Xvi; William And Catherine Blake; Theodore and Alice Roosevelt; Sigmund and Martha Freud; Virginia and Leonard Woolf; Adolf Hitler and Eva Braun. Performance fees for individual monologues are available.
Read More - $9.00 – $70.00
Nat’s Last Struggle
- 60 Minutes
- 1 Male, Min/Max 1
A one-man play by P. A. Wray. Nat Turner confronts his conscience between his sentencing and his hanging. Nathanial “Nat” Turner (1800-1831) was an American slave who brought about the only direct, continuous slave rebellion (August 1831) in U. S. history. Some regard him as a monster, others as a hero in search of freedom. Which was he?
Great for high school, college, community theater, and readers theater.
Read More - $7.99 – $75.00
Midsummer Night’s Dream for Youth
- 45 Minutes
- 2 Males, 2 Females, Min/Max 4
In this one-act adaptation of Shakespeare’s comedy, four players in a traveling clown troupe wake up one morning to discover that they have been abandoned by the other members of the company. That evening they are required to perform A MIDSUMMER NIGHT’S DREAM before the local Squire and they have to madly re-invent the play so that it can be done with four clowns.
Read More - $7.99 – $75.00
Macbeth for Youth
- 45 Minutes
- 2 Males, 2 Females, Min/Max 4
Flexible Casting, Highly Theatrical, Interactive, Large Puppets, Minimal Set, Participatory, Touring
A thrilling one-act adaptation for children of Shakespeare’s harrowing story of the ambitious Macbeth and Lady Macbeth. Greed and ambition are emphasized. The role of the Porter is expanded to give more comic relief. The Porter and the Witches serve as intermediaries with the play and the audience. Makes the story fully accessible to a younger audience.
Read More - $5.75 – $50.00
In the Second Place
- 20 Minutes
- 3 Males, 1 Female, Min/Max 4
A one-act comedy. When a young lawyer finds himself locked into an apartment for rent he was viewing, he becomes increasingly panicked. As he calls for help, various residents of the building come to the door and attempt to rescue him. One voice, however, is especially attractive to the lawyer!
Read More - $13.95
I Am the Brother of Dragons – Script
- 45 Minutes
- 2 Males, 2 Females, Min/Max 4
In this insightful drama by Gillette Elvgren, a family struggles to cope with drug addiction. Highly theatrical, the actors wear the masks that represent the many disguises they all assume in the dance of addiction.
Read More - $11.00 – $70.00
Phaedra
- 90 Minutes
- 4 Males 4 Females Max 15+ Min 9
Drama, Simple Props, Simple Set
A full-length, poetic drama resurrects the love, lust, and retribution of the original Greek legend in modern surroundings. A stepmother’s insatiable desire for her husband’s son destroys a family. Set in a beach house with the sound of drumming waves and ghostly figures of fishwives in the background, this verse play brings the ancient story back to life.
Read More - $9.00 – $60.00
Nat Turner’s Last Struggle: Finding His Way Home
- 50 - 60 minutes
- 1 Male 1 Female Max/Min 2
This one-act, two character play opens during the pre-dawn hours of November 5, 1831. It is the day that Nat Turner, leader of a bloody slave rebellion, will be tried, convicted and sentenced to death. In the predawn hours before the trial a mysterious woman enters to purify the courtroom. Seven days later she is there by the hanging tree when Turner is executed and thrown into the darkness of death – where he fears he has been eternally abandoned. When Nat is finally given light he struggles to make his case – taking us on a journey where we see a bright, enslaved boy grow into a divinely-inspired freedom fighter. And the mysterious woman is there – stealthily guiding Nat and us to our long-forgotten home.
Read More - $9.99 – $95.00
For the Least of These
- 15 - 90 Minutes
- 1 Male 4 Females Max 4 Min 1
A Collection of Inspirational Monologues by Gillette Elvgren, this play is a compendium of monologues by great Christian women since the 3rd Century A.D. For the Least of These can be performed by a single actress as a one-woman show, or by several actresses. For the use of single monologues as part of a religious service, send us a message using our Contact Form
Read More - $11.00 – $95.00
An Enemy of the People
- 100 minutes
- 8 Males 4 Females Max 15+ Min 12 (Doubling Possible)
Community, environmental satire, Flexible Casting
Cut but uncensored! This full-length play by Jean Klein is true to the original text which savages corrupt institutions, greedy corporations, arrogant politicians, and our disdain for protecting the environment. This large-cast play can be performed by 10+ actors and plays well for high school, colleges, universities, community and professional theaters.
Read More - $9.00 – $75.00
DropOut
- 45 Minutes
- 4 Males 2 Females Max 6 Min 6
Diverse Cast, Self-esteem, Simple Set, Teens, Touring
DropOut, a one-act comedy for teens, puts Norman Tubbs, a guidance counselor in charge of keeping high school kids in school, especially those that don’t want to be there. The characters in the play find school a challenge for a variety of reasons-the impact of a divorce, clowning to deflect emotion and commitment, learning difficulties, and peer pressure.
Great for high school, community theaters, and talk-backs after the show.
Read More - $7.00 – $75.00
The Devil’s Due
- 45 Minutes
- 2 Males 2 Females Max 4 Min 4
Choices, Competitions, Depression, Mania
In The Devil’s Due, a one-act drama/comedy, an artist, Eric Talmadge, confronts the decline of his aesthetic powers and the possible dissolution of his marriage. In a satiric tour de force, a visitor—possibly a neighboring psychiatrist and possibly a more fearsome presence—offers him a possible way out of his dilemma. Is M. Boudreaux really an unorthodox psychiatrist practicing from his apartment in NYC or does he represent a power other than the mind? And what choice does he give Eric in order to regain his peace of mind and his artistic abilities?
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