A Cold Day in Hell portrays one man’s effort at resolving his despair at his dilemma of having a hospitalized, comatose wife, apparently with no hope of recovery, and grown children who seem to him to be self-absorbed and detached from his plight.
A tour-de-force single-character play by author Jan Quackenbush, its actor, Michael Liscio was awarded a 1988 Los Angeles Dramalogue Award in a long-running production by the California Cottage Theatre, 1988-1991.
A man is lied to when he volunteers for a psychological experiment on the role of pain in learning. His experience leaves him scarred. Twenty years later, he confronts the psychologist who conducted the experiment. To inflict revenge? T0 get an apology? Does he even know why? Do we?
A comedic look at how, as a society, we have become so dependent on double-blind studies that we can no longer make simple decisions. A quick journey thru history!
This is the male version of a partner play also titled Group S.O.S. The S.O.S. stands for Survivors of Sexual Abuse. There is a female version and a script which includes both male and female versions. The separate versions are full-length plays in two acts, running about 95 minutes each. In Group S.O.S. by Bonnie Culver, survivors of sexual abuse confront each other's strengths and weaknesses in the setting of group therapy sessions. Each character has his own story and his own secrets which lead to a redemptive past.
Structured as a nonlinear narrative, a film location scout named George takes us on a trip through his past, reflecting on his adventures in the film business as well as past relationships, particularly with a dancer who he came to love and eventually lost. His attempt to come to terms with that loss drives the action of the story.
These voices from the Old Testament are perfect for Christian solo drama performances. Also with voices of contemporary men of faith, struggling or affirming their beliefs bring modern issues to life. Perfect for inclusion in virtual church services and programs, and also as audition pieces. For performance rights for individual monologues, please contact us.
A one-man play by P. A. Wray. Nat Turner confronts his conscience in the afterlife. Nathanial “Nat” Turner (1800-1831) was an American slave who brought about the only direct, continuous slave rebellion (August 1831) in U. S. history. Some regard him as a monster, others as a hero in search of freedom. Which was he?
Great for high school, college, community theater, and readers theater.
A lighter & comedic version of "Space Oddity" by David Bowie, where Major Tom is not as prepared as he should be because he doesn't Read The Freakin' Manual (RTFM), as Ground Control nags him to do.
This one-person show was inspired by C.S. Lewis’ classic offering, The Screwtape Letters, and features the demon SCAPEGLOAT, as he instructs a mélange of demons in the finer points of how to bring a couple of humans, Christie and Charlie, into his hellish domains. A distinctly Christian point of view.
A one-act children’s morality play based on a Malaysian folk tale. A group of unruly and rowdy forest characters give a group of greedy monkeys their comeuppance. Set in a hot tropical jungle, this is a comic tale around the relative values of sloth and industry. Can be performed for and/or by children. Great for classroom readings.
“Wrong Place, Wrong Time” is another 10-minute short in Monique Franz play series, “Legacy of a Father.” The script touches on the soil on which many troubled inner-city youth grow, especially those without the presence of a quality father figure. The script highlights the lack of choices that men of urban contexts are presented with, from birth until adulthood.
