Faith in Others
Showing all 9 results
Refraction of Light
- 100 minutes
- 2 Males, 2 Females, Min/Max 4
Professional, Simple Set
On the day World War II ends, another war begins. Joe Taylor, an African-American veteran decides he wants to marry Nettie French, a childhood sweetheart, and buy the house belonging to Rose Beauchamp, a white teacher who has befriended both Nettie, daughter of Rose’s deceased best friend, and Joe and encouraged their friendship and academic aspirations. Rose’s prejudice rears its head and her reluctance to sell her house to Joe sets in motion a chain of events that threatens to destroy all their futures. Harry Rosen, a Jewish immigrant from Nazi Germany, enters their lives and helps them find their way home.Read More
- 110 Minutes
- 2 Males, 5 Females; 1 African dancer (optional) (small roles are doubled).
Doubling Possible, Staging Design Potential
A hidden society fearful of the outside. A curious stranger accidentally pulled into their world. A romance that threatens their survival. Humans Remain is a celebration of love, familial responsibility, and honor. A full-length drama script for a play by Robin Rice, Humans Remain challenges our views on cultural bias, assimilation, values, and assumptions. A well-meaning “foreigner” attempts to rescue the White Cliff Kinfolk – a mixed-race society isolated from civilization in the hills of New Jersey for over 200 years. Love. Death. History. Magic. Nature. Belief. All of these are played out on the stage. All but one character are mixed race, mainly African-American. One character is specified as African-American. The others are as diverse as desired. Highly theatrical staging possible.Read More
Monologues for Men: Voices from the Old Testament
- 10 - 60 minutes
In these voices from the Old Testament, prolific Christian writer Gillette Elvgren brings to live both characters from the Bible, but also voices of contemporary men of faith, struggling or affirming their beliefs. Perfect not only for inclusion in religious services and programs, but also as audition pieces.
For performance rights for individual monologues, please contact HaveScripts/Blue Moon Plays for information at [email protected].Read More
Shakespeare-On-The-Go: 4 Touring Plays For Young Audiences
These 4 adapatations of Shakespeare plays are skilfully adapted for young audiences and include: Romeo and Juliet, The Tempest, A Midnight Summer’s Dream, and Macbeth. Plays are each approximately 45 to 50 minutes. They are all fast paced, engaging, and include both Shakespeare’s original language as well as theatrical devices that make the language more accessible to young audiences. As exciting participatory theater they appeal to elementary school students. With the participatory elements removed, each play’s frame story is producible as a play for teens or for teen drama groups to perform for a younger audience.Read More
Spread Your Garment Over Me
- 10 - 60 minutes
- 1 - 12 Females
A monologue collection by Gillette Elvgren, based on women from the Bible, presents issues of faith, religion, and contemporary challenges. SPREAD YOUR GARMENT OVER ME (Ruth, 3:9) is written as a series of monologues and songs which capture the spirit and character of several women revealed to us in the Bible. Monologues may be used separately as part of a church service or be performed by 1 or more actors an a production. For use of individual monologues, email [email protected]Read More
- 70 minutes
- 5 Male, 3 Female, Doubling Possible Cast: 7 - 14
In this strangely magical play with songs, a woman wakes up in a train station someplace between Maybe and Nowhere. Everyone she meets is waiting for something or going somewhere, but she’s just looking for a way out. The play explores how we get stuck and how we get unstuck – and what can happen in those crucial moments when how we respond makes all the difference . . .
Great for site-specific theaters or professional theaters, as well as college and university venues.Read More
Hymn to the Chesapeake
- 95 Minutes
- 5 Males, 5 Females, Max/Min 10
This award-winning, full-length play with music is filled with the poetry of the Eastern Shore of Virginia. Robert P. Arthur weaves fragments of conversations and traditional melodies to portray the love and heartbreak of its watermen and women–the love of the sea, a mother for a child, a man for a woman. Easy to stage with a variable cast, this haunting drama can be performed easily by high school, college, community, and professional theaters.