Casting requirements – the number of actors required to produce a play script. the casting requirements give specific numbers of actors and their gender or give approximate numbers for large cast plays.
A small-cast, full-length play by Kathleen McBlair dramatizes the limited private moments of Marilyn Monroe's life after she became a star. Both Joe DiMaggio and Arthur Miller take the stage in her downward spiral. Her life-after-fame was eerily lonely and filled with long telephone conversations with friends, doctors, and strangers as she groped to find a sense of peace and belonging. This play was a finalist in the 1988 Virginia Prize for Playwriting.
A one-act, 3-character drama. An elderly Holocaust survivor encounters a rebellious teenager in a tattoo parlor. Melanie is determined to get a butterfly tattoo against her mother's wishes. Sarah is removing her own concentration camp tattoo--91366. Great for competition one-acts, an evening of short plays, or to introduce Holocaust Literature, parent-teen relationships or survival.
A Cold Day in Hell portrays one man’s effort at resolving his despair at his dilemma of having a hospitalized, comatose wife, apparently with no hope of recovery, and grown children who seem to him to be self-absorbed and detached from his plight.
A tour-de-force single-character play by author Jan Quackenbush, its actor, Michael Liscio was awarded a 1988 Los Angeles Dramalogue Award in a long-running production by the California Cottage Theatre, 1988-1991.
In A Colonial Christmas, the Hartley family has decided to downsize the holidays which seem to have lost their significance. However an old barrel organ is a portal to Christmas in Revolutionary days for a renewal of faith and the Christmas spirit.
John Hinkley Jr. (attempted assassin of Ronald Reagan) must use his newly-learned coping skills to deal with the news that the "love of his life", Jodie Foster, is not "playing on the same team" that he'd always assumed she was.
A man is lied to when he volunteers for a psychological experiment on the role of pain in learning. His experience leaves him scarred. Twenty years later, he confronts the psychologist who conducted the experiment. To inflict revenge? T0 get an apology? Does he even know why? Do we?
A one-act Christmas comedy - a play with live music for young actors, telling the story of how the Christmas song "Silent Night" came to be written. Set in Oberndorf, Austria in 1818, the play is staged with live guitar in a Readers Theatre format. Memorized historical vignettes are combined with a straight-forward Christmas reading. But it soon goes "off-book" as student readers question the truth of the text they're reading, and they end up squabbling on stage among themselves. Just when their performance seems doomed, Josef Mohr remembers a short poem he had been writing—Silent Night.
A middle-school teacher is in a war zone between two students when both their reports turn out to be about the Layson Albatross. Does she side with Davy whose report says that Layson couples raising their chicks are sometimes both female? Or does she come to Beth's defense when Beth wants to silence Davy's report as "fake news."
Three 20-minute comedies in one act. Wilford, from New York, has just bought and moved to a new homestead in Vermont, but he realizes that his new neighbors may not be from this planet! Mila, her son Klig, and husband Kulerie Klee, live on a farm next to Wilford’s and their adjoining farms are separated only by a stone wall which is beginning to fall apart. What to do? Knock it down? Build it back? – and what are they walling in and walling out? Can be performed by high school, college, university students or groups.
Lianne's ABCs of Memory touch on cultural milestones such as Elvis, Nancy Drew, Wonder Bread, 9-11, and Ty Cobb, as well as personal memories of family life. These poems both celebrate and mourn America's past and present.
These are dramatic poems. Life happens. Events occur. Here is an elegy for our American Dream. As such. these poems are naturals for forensics, scene study, and spoken word events.
A delightful, one-act play script adapted from the classic Lewis Carroll tale. Staying true to the original, this adaptation for the stage brings all the characters of the original Wonderland to life. Great for classrooms with a diverse student body, for children's theater, competitions and for reader's theater.
Alice takes the plunge yet again in this madcap one-act comedy. A glorious romp for the stage, the world behind the mirror leads her to a realm where everything is backward. Sense is nonsense. Backwards is forwards. The faster you run, the further behind you get.
Easily performed either in the classroom or on stage. A delight for school drama groups with diverse casting challenges. Downloadable PDF's for purchase available.
This madcap full-length comedy chases Alice both down the rabbit hole and through the looking glass. Two 45-minute acts of mayhem and upside –down logic provides roles for all students. Mirror the logic and language of today’s global circus. Great opportunity for doubling.
A one-act high school comedy / drama, Melissa has been taught what she is "supposed to" learn as a young woman: to be dependent, to bat her eyelashes, never to win a game against a boy. How well does this education help her when she has to make important decisions about sexual activity. Great for teen drama groups and touring. PDF download available.
Where has the time gone? The eighth and final installment of Hinton’s Playroom series, “All the Year”, is set in the living room – one decorated for every big day on the calendar.
Cut but uncensored! This full-length play by Jean Klein is true to the original text which savages corrupt institutions, greedy corporations, arrogant politicians, and our disdain for protecting the environment. This large-cast play can be performed by 10+ actors and plays well for high school, colleges, universities, community and professional theaters.
