Adrienne Earle Pender began her writing career in 2001. Her first play, The Rocker, was a finalist in the Dayton Playhouse Future Fest 2002 Festival of New Works in Dayton, Ohio. The Rocker made its world premier in February 2004 at Theater in the Park in Raleigh, North Carolina.
Her play, Stone Face was a selection in the Reader’s Theater at the 2003 National Black Theater Festival, and was an alternate selection for the 2004 Edward Albee 12th Annual Last Frontier Theatre Conference in Valdez, Alaska.
Her short play, The Murder of Love was selected for the Short Play Lab at the same conference. Additionally, Banana Split Lady made its debut at the 1st Annual Great Plains Theatre Conference in Nebraska. Her play, Somewhere In Between, had a staged reading at the Drama Book Shop in New York in 2010; a staged reading at Wordsmyth Theater in Houston, TX in May, 2014; and Somewhere In Between received a full production from Theater in the Park in Raleigh in September 2014.
Her most recent play, “N,” about African-American actor Charles S. Gilpin, was a finalist in the Dayton Playhouse 2016 Future Fest competition. “N” received a workshop and a staged reading at the Eugene O’Neill Festival in Danville, CA in September 2016, and made its world premiere in February 2017 at Theatre in the Park in Raleigh, NC.
Adrienne received a Tao House Fellowship by the Eugene O’Neill Foundation in September 2015. She holds an MFA in Creative Writing from Wilkes University, and is a member of the Dramatist Guild.
Showing all 1 result
- $11.00 – $125.00
- 100 minutes
- 2 Males, 1 Female
Colleges, Community, Diverse Cast, Drama
Adrienne Earle Pender’s “N” dramatizes the struggle between playwright Eugene O’Neill and actor Charles Sidney Gilpin over the inclusion of the “N” word in the script for O’Neill’s first box office hit, The Emperor Jones. in 1920. They fight from rehearsal to Broadway run and, eventually, to the London tour. To Eugene O’Neill, a word is just a word. For Charles Gilpin, those six letters have the power to unravel everything that he has ever worked for. At stake for O’Neill? His artistic vision. For Gilpin? His entire career and family.Read More