A Cold Day in Hell
- 50 Minutes
- 1 Male 0 Female Max/Min 1
Community, Simple Set, Touring
$7.00 – $60.00
A Cold Day in Hell portrays one man’s effort at resolving his despair at his dilemma of having a hospitalized, comatose wife, apparently with no hope of recovery, and grown children who seem to him to be self-absorbed and detached from his plight.
A tour-de-force single-character play by author Jan Quackenbush, its actor, Michael Liscio was awarded a 1988 Los Angeles Dramalogue Award in a long-running production by the California Cottage Theatre, 1988-1991.
Play Details
Overview
The play begins with Charley clumsily setting up his video camera (this is not the first time), then settling himself on his couch to record what’s on his mind, He speaks into his rented video camera to make a record of his thoughts to leave to his children. He announces his firm intention to “finish this up” and go into Betty’s room, disconnect her, then shoot himself.
He struggles to bring to the surface his haunting inner condition – his massive sense of guilt – with a confession he has never made nor told before.
Yet, as he brings forward his confession, we see that Charley just may “soften” – and “give it one more day” – perhaps come to a measure of acceptable terms with himself, his wife, and his children, which is the end-note of the play.
Living with his guilt, and with the apparent hopelessness of Betty who lies comatose in her hospital room (she does not appear on stage), life for Charley is indeed a persistent hell.
AWARDS:
1988-1991; Winner of a Los Angeles Theatre Critics Dramalogue Award for the sole actor, Michael Lisio
From the Play
Play Excerpt:
Cast List: Charley – middle-aged.
Time: The present
Place: Charley’s home.
Approximate Running Time: 40-45 minutes
Play Excerpt:
Charley:
I was just . . . going through my mind . . . how I can. . . sit next to Betty there and talk about the weather or a ballgame or the leak in the roof- – nothing serious, just another goddamn annoyance when I least need it- – but I’m sitting there making small talk, and . . . I didn’t use to, you-know. I used to talk about reasons for living, stuff like that. I’d say, like, ‘Betty, what you are going through is like a hibernation, so do not worry about it ’cause your body knows what it is doing, and what it is doing is fixing itself up from the inside and keeping you asleep . . . (patting his leg hard): . . . so you do not stir things up!’
(He brings his hands up helplessly, and shrugs; then):
I do not talk to her about her brain. I do not talk to her about that ’cause that is the center of her problem as far as I can understand from what the doctors tell me. You’d need a dictionary to understand them half the time. But, anyway, there is this thing about one side of her brain taking over the workload of the other side- – they told me to think of it like changing shifts in a factory – – but what I am saying is if I was talking to her about her brain I don’t know what side I’m talking to, and if she is hearing me I don’t wanna go and screw things up in there.
(He stares a brief moment- – apologetic, baffled; then):
Hey, maybe you think that’s stupid, but there’s alot of things that look stupid in this world which, believe me, if you knew more about it they might be smart. And I don’t pretend to be a genius like there’s alot of phonies that do!
(Squirms, relaxes a little, then):
So . . . what I do not do is I do not talk to her about her brain. And for a while there, I was talking to her about what sounded to me like some pretty good reasons for living. (Pauses; then): Usually, though, I’d end up with me as being the main reason.
(Pauses., then):
Maybe you think that’s a joke, but I was trying to give her something to hang her hat on.
Productions
Wilkes University, Wilkes-Barre, PA June 2017
Dramatic reading by Tim Gleason, under the auspices of the Maslow Family Graduate Program in Creative Writing at Wilkes University, Wilkes-Barre, PA
The Venue on 34th in Norfolk, VA October, 2009
October 2009 – Performed at the Venue on 34th in Norfolk, VA
Know Theatre Co., Binghamton, NY, 2003
2003 – Produced by Know Theatre Co., Binghamton, NY
Edinburgh Fringe Theatre Festival in 1988
1988 – Presented at the Edinburgh Fringe Theatre Festival in 1988
The Cottage Theatre, Van Nuys, California 1988-91
From 1988 – 1991 presented by The Cottage Theatre, Van Nuys, California. Roy Brocksmith, Producer.
Related products
- $11.00 – $100.00
Fanny & Manny Tie The Knot
- 120-180 Minutes
- 9 Males 8 Females Max/Min 17
Community, Dinner Theatre, Fundraiser
This play is a full-length interactive fundraiser. It’s a spoof wedding between a Virginia Pig Farmer family and a socialite Jewish family from the City. The bride and groom are very much in love, but, oh, when those families clash! The Emcee and Wedding Coordinator are members of the cast, but the caterers are real, of course.
Read More - $9.00 – $75.00
Baba Yaga Acts Up
- 60 Minutes
- 2 Males, 2 Females, Max cast 5, Min cast 4
Simple Props, Simple Set
Inspired by the Russian folktales, these six interactive plays portray a whacky witch who is more comic than frightening. The ethnic flavor of the plays appeals to all audiences. Three episodes run about an hour; six episodes are included for mixing and matching depending on the needs of the young audience. A one-act play script for Children;s Theater and Community Theater groups to perform for kids.
Read More - $9.00 – $75.00
Ophelia Lives!
- 45 Minutes
- 3 Males, 2 Females, Max/Min Cast 5
Depression, Simple Set, Small Cast, Teen Suicide, Touring
This one-act play for teens deals honestly and openly with depression and suicidal impulses among teens. Set backstage in a high school theater, a high school drama class is rehearsing Hamlet and personal issues–cutting, eating disorders and low self-esteem–that are seldom discussed begin to emerge after the teacher discovers a suicide note.
Ideal for middle school and high school students. Easy to tour with a simple set. PDF available.
Read More - $7.99 – $75.00
EveryKid
- 45 Minutes
- 1 Male 1 Female Max 6 Min 2
With roots in the morality play, EVERYMAN, this fun participatory play for children by Gillettte Elvgren, depicts the adventures of two contemporary kids, Everygirl and Everyboy as they explore some of the temptations of our American culture. The kids decide they don’t need each other and take off separately into the adult worlds of Moneyland, Beautyland, Factland and Success City. Can be performed for and by children.
Read More