Showing 1–16 of 23 results
- 100 minutes
- 2 Males, 1 Female
Diverse Cast, Drama
Adrienne Earle Pender’s “N” dramatizes the struggle between playwright Eugene O’Neill and actor Charles Sidney Gilpin in 1920, as they mount O’Neill’s first box office hit, The Emperor Jones. From rehearsal to Broadway run and, eventually, to the London tour — they fight over the inclusion of the “N” word in O’Neill’s script. To Eugene O’Neill, a word is just a word. For Charles Gilpin, who becomes the first black man to be honored by the Drama League of New York for his portrayal of the lead in The Emperor Jones, those six letters have the power to unravel everything that he has ever worked for. At stake for O’Neill? His artistic vision. For Gilpin? His entire career and family.
Downloadable PDF available. Diverse casting. Available in USA Script Format Only prior to publication.Read More
- 110 Minutes
- 2 Males, 5 Females; 1 African dancer (optional) (small roles are doubled).
Doubling Possible, Staging Design Potential
A hidden society fearful of the outside. A curious stranger accidentally pulled into their world. A romance that threatens their survival. Humans Remain is a celebration of love, familial responsibility, and honor. A full-length drama script for a play by Robin Rice, Humans Remain challenges our views on cultural bias, assimilation, values, and assumptions. A well-meaning “foreigner” attempts to rescue the White Cliff Kinfolk – a mixed-race society isolated from civilization in the hills of New Jersey for over 200 years. Love. Death. History. Magic. Nature. Belief. All of these are played out on the stage. All but one character are mixed race, mainly African-American. One character is specified as African-American. The others are as diverse as desired. Highly theatrical staging possible.Read More
- 15 minutes
- 2 Males, 2 Females
Bare Stage, Comedy
Cell, a 10-minute play takes us inside connecting and disconnecting calls among 4 different cell phone users attempting to find answers to the central problems in their lives with sometimes odd results.Read More
Monologues for Men: Voices from the Old Testament
- 10 - 60 minutes
In these voices from the Old Testament, prolific Christian writer Gillette Elvgren brings to live both characters from the Bible, but also voices of contemporary men of faith, struggling or affirming their beliefs. Perfect not only for inclusion in religious services and programs, but also as audition pieces.
For performance rights for individual monologues, please contact HaveScripts/Blue Moon Plays for information at [email protected]net.Read More
Group S.O.S.: Survivors Of Sexual Abuse
- 50 - 60 minutes
In GROUP S.O.S. by Bonnie Culver, the S.O.S stands for Survivors Of Sexual abuse. In two separate 1-hour plays, male or female survivors both confront and comfort one another as they begin their processes of healing. Appropriate for a teen or adult audience, previous productions of these plays have led to audience members seeking help as they begin to recognize themselves among the characters.Read More
Shakespeare-On-The-Go: 4 Touring Plays For Young Audiences
These 4 adapatations of Shakespeare plays are skilfully adapted for young audiences and include: Romeo and Juliet, The Tempest, A Midnight Summer’s Dream, and Macbeth. Plays are each approximately 45 to 50 minutes. They are all fast paced, engaging, and include both Shakespeare’s original language as well as theatrical devices that make the language more accessible to young audiences. As exciting participatory theater they appeal to elementary school students. With the participatory elements removed, each play’s frame story is producible as a play for teens or for teen drama groups to perform for a younger audience.Read More
Romeo and Juliet in Fewer Words, Words, Words
- 50 Minutes
- 5+ Females 5+ Males Minimum 10 Maximum 20+
This adaptation of “Romeo and Juliet” by Robyn Hilt pares down the original but retains the major plot points and beauty of the poetry. “Romeo & Juliet in Fewer Words, Words, Words” is an ideal choice for classroom presentation. All of the major scenes and plot points are intact, as well as the humor of the Nurse and Mercutio. Students take one role and develop that character through analyzing motives and decisions.Read More
Group S.O.S. Female Version
- 50 Minutes
- 6 Females
This is the female version of GROUP S.O.S. by Bonnie Culver, the S.O.S stands for Survivors Of Sexual abuse. In this 1-hour play, female survivors both confront and comfort one another in a therapy as they begin their processes of healing. Appropriate for a teen or adult audience, previous productions of these plays have led to audience members seeking help as they begin to recognize themselves among the characters.Read More
- 70 minutes
- 5 Male, 3 Female, Doubling Possible Cast: 7 - 14
In this strangely magical play with songs, a woman wakes up in a train station someplace between Maybe and Nowhere. Everyone she meets is waiting for something or going somewhere, but she’s just looking for a way out. The play explores how we get stuck and how we get unstuck – and what can happen in those crucial moments when how we respond makes all the difference . . .
Great for site-specific theaters or professional theaters, as well as college and university venues.Read More
- 90 Minutes
- 10 Males 8 females Max 18 Min 15 (Doubling Possible)
Cinderella Comedy Play Script – Meet the feisty take-charge Cinderella!
This full-length comedy version of Cinderella features delightfully nasty stepsisters and a fierce Cinderella, in addition to several original characters. This is a play for children of all ages. Easily performed by a children’s theater, or by teen or college drama groups, it has possible casting for young actors as well.Read More
Behind Closed Doors
- 15 - 90 Minutes
- 1+ Male 1+ Female Max 16 Min 2
The monologues and dialogues in “Behind Closed Doors” are gripping fictional insights into the psyches of historical married couples. They are set in prisons, bedrooms, palaces, gardens and Hitler’s bunker. These scenes reveal dark, tense moments in famous, tormented lives. Great acting scripts for auditions and competitions.
NOTE: The performance fee is applicable to a production of the complete script. Prices for performance of individual monologues may be obtained by emailing HaveScripts/Blue Moon Plays at [email protected].Read More