Abuse
Plays About Abuse – Sexual, Physical, Psychological
Find plays where sexual abuse, physical abuse, or psychological abuse is a factor. Ten minute plays, short plays and full length plays feature in the selection. Characters struggle with some form of abuse and look for solutions and healing.
Showing all 11 results
- $7.97 – $35.00
A Dish Best Served Cold – A Revenge Fantasy in 10 Minutes
- 10 minutes
- 2M; Max/Min 2
Auditions, Classroom Use, Mental Health Issues, 2-Character, Colleges, Competitions, Highly Theatrrical
A man is lied to when he volunteers for a psychological experiment on the role of pain in learning. His experience leaves him scarred. Twenty years later, he confronts the psychologist who conducted the experiment. To inflict revenge? T0 get an apology? Does he even know why? Do we?
Read More - $11.79 – $85.00
Broken Dolls
- 60 - 90 minutes
- 5 F
Edgy Play, Minimal Set, Simple Set
Broken Dolls tells the fictional stories of women- both international and domestic- who have been trafficked for sex work, domestic labor, hotel work, and agricultural work. Taking place in a waiting room at a social service facility, the play revolves around five female survivors of human trafficking who cross paths. Entrapped and isolated, five women come together to weave their narratives in a mix of monologue and dialogue, merging reality and memories of coping and longing.
Read More - $9.97 – $85.00
PTSD & Me
- 60 - 90 minutes
- 1 F
Monologue, Poetic Drama, Bare Stage, Community
A one-woman play script consisting of a collection of poetic monologues, that is irresistibly lined with head-bopping rhythms and palpable poetry, is Spoken Word Poetry at its best. Lays bare the horror and humor of war.
Read More - $11.97 – $125.00
Drowning Ophelia
- 60 - 90 minutes
- 2 Male, 2 Female, Max 4/Min4
Dramedy, Poetic Drama, sexual abuse, Comedy, Edgy Play, Highly Theatrrical, Trust
The set of this one-act comedy for four actors is Jane’s bathtub. She finds it inhabited by a strange, Shakespearean woman whose enigmatic commentary intrudes on Jane’s thoughts and her new romantic relationship. This dark comedy is about the long-term consequences of childhood abuse and a love letter to those who have suffered. There is always hope.
Read More - $10.80 – $79.98
Monsters
- 10 - 60 minutes
- 1-6M; 1F; Min 1, Max 7
Auditions, Monologue, Poetic Drama, Variable Length, Bare Stage, Collection, Highly Theatrrical, Reader's Theater
Seven contemporary monologues that take the audience into a roller coaster ride of the psyche from predators to bizarre takes on the afterlife. Featuring an electric chair experiment, missing body parts and a weird scientific experiment to name a few. Great solo performance ideas.
Read More - $13.95
Group S.O.S.: Survivors Of Sexual Abuse
- 95 Minutes
- 6F
Abuse, Auditions, Classroom Use, Mental Health Issues, Monologue, sexual abuse, Colleges, Depression, High School, Minimal Set, Self-esteem
In GROUP S.O.S. by Bonnie Culver, the S.O.S stands for Survivors Of Sexual abuse. In two separate full-length plays, male or female survivors both confront and comfort one another as they begin their processes of healing. Appropriate for a teen or adult audience, previous productions of these plays have led to audience members seeking help as they begin to recognize themselves among the characters. Run time is about 95 minutes.
Read More - $13.95
Shorts for All Seasons: America Revisited
- 10 - 60 minutes
- 1 Male 1 Female Max 6 Min 2
Flexible Casting, Simple Set
A collection of six 10-minute satires – plays written by the renowned Virginia Playwrights Forum, lampoons the American political and social landscape. From taxes and lotteries, to classroom education and TV talk show hosts, the foibles of present-day America are revealed.
Read More - $7.95 – $75.00
Group S.O.S. Male
- 95 Minutes
- 6 Males
Classroom Use, Mental Health Issues, Monologue, sexual abuse, Colleges, Community, Depression, High School, Minimal Set, School Touring, Self-esteem, Simple Set, Trust
This is the male version of a partner play also titled Group S.O.S. The S.O.S. stands for Survivors of Sexual Abuse. There is a female version and a script which includes both male and female versions. The separate versions are full-length plays in two acts, running about 95 minutes each. In Group S.O.S. by Bonnie Culver, survivors of sexual abuse confront each other’s strengths and weaknesses in the setting of group therapy sessions. Each character has his own story and his own secrets which lead to a redemptive past.
Read More - $7.95 – $75.00
Group S.O.S. Female Version
- 95 Minutes
- 6 Females
Abuse, Classroom Use, Mental Health Issues, Monologue, sexual abuse, Community, Depression, High School, School Touring, Self-esteem, Simple Set, Small Cast, Teens
This is the female version of GROUP S.O.S. by Bonnie Culver, the S.O.S stands for Survivors Of Sexual abuse. In this 2-act, 95-minute play, female survivors both confront and comfort one another in a therapy as they begin their processes of healing. Appropriate for a teen or adult audience, previous productions of these plays have led to audience members seeking help as they begin to recognize themselves among the characters.
Read More - $7.95 – $50.00
The Boarding House
- 40 Minutes
- 1 Male, 3 Females
Colleges, Community, Fundraiser, High School
A one-act play, The Boarding House is a dramatic satire, by David.H. Klein, of the story by James Joyce. Mrs. Mooney, the owner of a boarding house of questionable reputation, exploits the wiles of her daughter Polly and the power of the Church to snare one of her more respectable boarders as her potential son-in-law.
Read More - $11.00 – $75.00
“Best Always, Marilyn Monroe”
- 80 Minutes
- 2 Males 2 Females Max 6 Min 4
A small-cast, full-length play by Kathleen McBlair dramatizes the limited private moments of Marilyn Monroe‘s life after she became a star. Both Joe DiMaggio and Arthur Miller take the stage in her downward spiral. Her life-after-fame was eerily lonely and filled with long telephone conversations with friends, doctors, and strangers as she groped to find a sense of peace and belonging. This play was a finalist in the 1988 Virginia Prize for Playwriting.
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